LATELY BABY

distortion

distortion

how your face is distorting; etched and sewn to my mind, twisting masks maniacal; hung unhinged, and unkind. weathered, widowed, and worn, whimpered whipsers unwoven, drawn, dismantled, and dead; no love left, love unbroken. written by cassidy, photographed by rené gibson  

GRATITUDE

GRATITUDE

So, it’s about 2am. I’m wide awake laying in my bed. I can hear the rain on the roof of this old, uninsulated house and it sounds like a sweet , melodic lullaby. One of many favorite things I enjoy about living here. It’s warmish, 

Hello, Mel.

Hello, Mel.

‘Blue Moves’ (1984) – Originally created for Playboy magazine, ‘Mother’s Day.’

FINDING ORDER FROM CHAOS, BEAUTY WITHIN PAIN, AND HOPE FROM DESPAIR, THE ARTIST MEL ODOM’S CAREER HAS SPANNED SEVERAL OF OUR GENERATION’S MOST TUMULTUOUS CULTURAL DECADES. HIS INNATE ABILITY TO PROCESS, THROUGH HIS WORK, THE EVENTS SURROUNDING HIM AND HIS LIFE ARE VISCERALLY TRANSFORMED INTO A DREAM-LIKE STATE OF BLISS IN HIS ART AND IN HIS CREATION OF MEMORABLE OBJECTS OF DESIRE.’ – Jeff Streeper

‘Hard Stuff’ – Portrait of Joe Morrocco.

CASSIDY ALEXA: What is your morning routine?

MEL ODOM: I get up anywhere between 6 and 8 AM. It depends on how I slept the night before. I make coffee sweetened with chocolate milk and try to watch some SpongeBob Squarepants first thing. I can’t start with the news, it’s just too depressing these days. SpongeBob’s basic optimism helps me get braced for facing the real world. If my husband is here we watch it together and discuss what we’re doing that day and if we’ll see each other that evening. We live in separate apartments on opposite sides of town and sometimes don’t see each other on week-days. I also do my emails to Europe in the morning. Then I go to the gym and workout out for an hour or so, four or five days a week. I need the discipline of the gym.

Red Princess (1980) – Owned by Playboy magazine and drawn for an excerpt from Tom Robbins’ ‘Still Life With Woodpecker.’

CAWhat most inspires you to create?

MO: That’s very difficult to pin down. I think frequently it’s a few things happening is a way that connects them somehow. The connections may take a while for me to realize but eventually I’ll say or think something and realize I’ve put them together. Or it could be something or someone so beautiful I feel like I have to do something to respond. It happens all sorts of ways, that’s it’s mystery. I prefer the mystery to having a linear reason. A lot of people ruin a perfectly good mystery by having the need to solve it. I’m very comfortable not knowing how it all works.

CA: How do you move through the times when you do not feel inspired at all?

MO: They can be very difficult times.  I like having a passion, a driving project to help keep me focused.  I can feel adrift and listless between projects.  When it happens you just keep going, you acknowledge it, but you just have to use your brain and understand it will pass.  Also, understand that this problem is a rich lady problem, not usually life or death.  So many people’s problems are just that serious.  It’s not that your creative problem isn’t serious, but probably only to you.

The Ayatullah Khomeini’ – Done for TIME magazine.

CA: Coffee, Tea, Both, or Neither?

MO: Coffee with chocolate milk in it, “Choffie”!

‘Madonna’ – Done for ‘ROLLING STONE’ magazine.

CA: What does ‘Art’ mean to you?

MO: It’s a commitment to do something extra with your life, something hopefully that exalts your own present and also leaves a shadow of who you were behind.  A lot of people (artists) do this because they’re hopeless at so many other things.  But also you get to leave something that someone else might love some day and feel less alone because of.  You may accidently create an image that tilts somebody’s life.  It’s many things and many ways.  You have to find your own way, no one else’s way can be too much of a game plan for yours.

mel, interviewed by cassidy

 

 

 

The Art of Celebration

The Art of Celebration

After the Hum of The Holidays, the Spirit might Deem itself Drab. It can be supposed that post Thanksgiving-Christmas-AndNewYears, the song of the soul will come to a halt. It can be thought that all the fun is finished, and that the celebrations will cease 

Frequency and the Universe

Frequency and the Universe

If we could find the actual frequency of our own universe, it would make us able to, as with a radio, tune into and witness the other parallel universes. Frequency is something we are familiar with and use daily whether we know it or not. 

I’M A FEMINIST, TOO.

I’M A FEMINIST, TOO.

I sit down to write after hours of procrastination, feeling a new fire blazing in my belly. I have been plagued all day by the looming Monday deadline I created for myself. I vowed to write and post an article on Feminism following the Women’s March I attended yesterday morning. My first ever women’s march marked a day I will forever remember as a newfound sense of togetherness embraced my being. I stood with glee and glistening cheeks sprinkled with tears of pain and joy, and felt proud to be a part of something so positive.

My procrastination was caused by something much deeper than sheer laziness. My procrastination was due to an avoidance of the thoughts that were shaking up in unwelcome residence within my brain. At long last, after the battle was exhausted, I scooped in and caught the thoughts racing through my mind, wizzing about in a frantic scurry. I grabbed those thoughts by the you-know-what, and I immediately put an end to their dreadful demise. What were those thoughts? Bullshit. A whole whack of bloody bullshit.

You know what they said? They said I was not smart enough, political enough, wise enough, or read enough to discuss Feminism. Who are you to write about such a charged subject, such an important category, such a serious topic? Who are you? Who am I? Fuck if I know, and fuck if I care. Where did these thoughts come from? In part, admittedly from my own sense of unworthiness, in part from the influence of society, in part from my family, and in part from a girl who told me that I should be careful how I represent myself if I did not back that representation in full.

I was politely ‘warned’ not to attend and represent the company that I have founded here if my company was in any way offensive, somehow imperfect, or politically incorrect in any manner. I could not fathom why myself, and my fellow creatures should be discouraged to stand by the message of love that we endorse here at CASSIDYALEXA, and spread the word of our mission.

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I felt completely boggled by that discouragement. How do my sentiments not align with those of other feminists? My entire company is built around extracting and celebrating people’s uniquely beautiful gifts. It was also clearly insinuated that I was an ignorant white feminist and I was condescendingly advised to do some reading, as not to exclude or offend anyone.

Offend them by what, being me and singing my song? Isn’t that what we’re all trying to do here? Why is my stance any less valid than anyone else’s? As I always say; to offend is not to oppress. I’ve spent my life being oppressed and aiming not to offend, only to feel silenced and unwell, and that shit ain’t going down no more, I’ll tell ya that much.

So I wonder, why I am not allowed to talk? If I speak, need I ensure that I cover every nook and cranny of all of society? Is that even possible? Must I walk on eggshells for the rest of my life? How on earth can I express anything if I have to tip toe around my voice.

It is  simply impossible to create with such restrictions, and so I reject them entirely. I am not claiming to be some sort of perfect human, in fact I’m claiming just the contrary. I’m claiming to be a little freaky, a little flawed, a lot quirky, and completely, unapologetically me.

To me that is Feminism. It’s Humanism. It’s being my own self and not only tolerating, but relishing the person that you are, too.

These thoughts kept me away from the keyboard, away from the freedom to share my own experiences, and away from the confidence to put to words what Feminism means to me.

Thank God I am not that easy to shut up.

Emily Ratajkowski has spoken out of her experience as a young girl being preyed on by older men and then chastised for bringing it upon herself by not concealing her breasts or masking her figure with appropriate clothing. Emily has gone on record saying; ‘I don’t see men having to justify what they wear or how they express themselves.’ This is a valid argument, a retaliation to being blasted for being too hot to handle and shamed for her bomb ass bod. She has been under fire for snapping herself nude and semi-nude on social media, with claims that it makes her less of a Feminist. Wait, what? She is not a real feminist because real feminism means what? Being conservative, and modest? Sure, it can mean that too, but there is nothing wrong with celebrating your form. Why should Feminism mean we have to step out of our sexuality, and resign to religiously foreboding womanhood?

In a recent interview, Emily was quoted saying that ‘I think a lot of people really feel that the idea of a woman being sexual or being sexualized is the opposite of feminism,’ and that the criticism she faces is ‘anti-woman’, because she’s considered ‘too sexy’ for certain roles, and has lost jobs because her boobs are too big. ‘What’s wrong with boobs? They’re a beautiful, feminine thing that needs to be celebrated. Like, who cares? They are great big, they are great small. Why should that be an issue?’ Here, here, Emily.

Gloria Steinem was actively hated for being a beautiful braniac with political views and strong opinions. Gorgeous, brilliant, and strong? Blasphemy.

Image result for gloria steinem black and white

And then we have Lena Dunham being criticized for celebrating her body and owning her beauty because it does not fit the conventional guidelines put in place by a bunch of idiots who don’t know shit. One second she’s hated for being too fat, and when she loses weight for her health, she’s condemned for that too.

So, we’re either too hot, or too heinous to handle. Lose, lose situation folks, lose, lose.

These women make people uncomfortable. They cause those people to squirm with the unresolved sludge that they refuse to face, in turn barfing onto the rest of us. Disguised in a subtle sheet of shame, cloaked in an invisible layer of a hot sticky substance known as oppression, which leads us to repression, and the cycle continues. Our bodies are ours, we have every right to do what we like with them, and I emplore you to exercise that right, given of course that you do not cause harm with said body to yourselves or others.

I have been told to cover up more times than I can count by my family, men, and women. I have been slut shamed, thrown up on websites who’s soul purpose was to degrade and lash out, a hate platform veiled as free speech. I have even been put down for wearing too much lipstick, too short a skirt, too sheer a top. I have been rejected by casting directors who claimed that my lips were ‘too much.’ I have been sexually harassed on set. The list goes on, and right now is not the time to get into all of that.

The one person who has always helped me celebrate my body is ironically the person who has dealt with the most hideous abuse of her own body; my mother. She has always taught me to be comfortable in my own skin, not to be ashamed of myself in any way. Although she might not love seeing her daughter’s semi nude body photographed all over the internet it has remained clear that it is my body, my choice, and I am not to be afraid to use those rights however I like.

Yesterday I discovered that, along with my keen fever to be actively involved in making our universe all the more grand, I am really quite political. Either passively or actively, we are all fundamentally political. We are all making a statement, even if we think we aren’t making one at all. Though at times subconsciously, art is always political. Okay maybe not the Bed and Bath art, but that’s not my kind of art anyways. I want to feel, and I want to be pushed off the edge of a cliff by the art that I consume. I want to be polarized by Art. That’s the only way I’ll have it, and those standards aren’t waning. So, I’ll take my politics with a side of art, and my art with a side of politics. I will continue to pursue them both because they really are one in the same. I’m here for the world. I’m here to make a difference, to leave an impact, to be of service. I am in it for humanity, and I’m in it for the love. Ultimately, with passion, I belong with mercy and surrender to the wonders of the world.

go to www.canadians.org to find out what you can do to raise your voice, and get involved.

written by cassidy, photographs by cassidyrachel, or by source linked to the image.

WOMEN’S MARCH 2018 – YYJ

WOMEN’S MARCH 2018 – YYJ

As January 20, 2018 marked the one year anniversary weekend of two polarizing events, the inauguration of President Donald Trump and the International Women’s March, people of all genders, races and ages joined together to march on. This was done as an act of solidarity 

ROCKET GIRL LAUNCHED

ROCKET GIRL LAUNCHED

CASSIDYALEXA was officially launched on Jan 1, 2018 at 9:11PM. 1/1/9:11. Thank you to all of the CREATURES of CASSIDYALEXA for making this possible. I’m here because of you. My gratitude is for you. I pray that you feel the appreciation I have for each 

A MOMENT WITH PETER DAY OF DAVENPORT

A MOMENT WITH PETER DAY OF DAVENPORT

CASSIDY ALEXA: What does your artistic process look like? Do you have a daily routine or do you just create when the moment moves you?

PETER DAY: It’s always changing. It depends on what’s going on in life, where I am at in guitar or piano playing at the time, and what I’ve learned about writing or recording.

PD: The key for me is tricking myself into thinking I’m not being creative. This funny thing happens; I will be cracking jokes, playing around on the instruments, and then it just happens; the spark. When I get that spark, I get into the mode, and there’s no stopping me.I spin out of control. A song is born sometimes within five minutes, maybe an hour.

However, that’s not always how it goes down. Sometimes, it does feel like work, and I have to sit down and force myself to create. I am excellent at procrastinating. The similarity between the two is in the fact that when I hit the spark, the process then becomes second nature.

Any art at some point becomes a little like work, and keeping daily practices is super important to me. I can always improve. I never will become content with what I am doing. There’s always room to grow, and I believe if you get to a point where you say you have learned it all, well your probably just a bad player (laughs). For me, it’s practicing scales on guitar and piano. Just playing songs. I do need to work on singing more but I currently am not (laughs). The other part is learning new information on guitar, drums, bass, microphones, singing, recording, songs, writing as much as I can, and then trying to spin it my way.


CA: Where is your favourite place to write?

PD: I never have a ‘place,’ per say to write, but I do always need to be by myself. I find I don’t write with people very easily. Not to say I haven’t ever; me and my good friend Sam Weber have a very easy working relationship; we are on similar wavelengths, so I can write with him. That being said, it’s never one space. Keeping it fresh is super important to me.

CA: If you could only eat one meal for dinner for the rest of your life what would it be?

PD: Probably burritos, for sure! It’s pretty much what I live off when I am in the studio. It’s all we eat (laughs).

CA: What is your favourite thing to wear on stage?

PD: I don’t have one thing I like to wear, but I do enjoy a bit of something wacky, colourful, or off-beat feeling. Our band is made up of five to six people, depending on the day. Being that it’s mainly focused around me and my twin brother, we get the rest of them to dress in black or neutral colours, and then Patty and I dress to pop out. I’ve worn silver disco pants, a washy paint splatted blazer, just to name a couple.

I really love colour, so I try to use that to my advantage. It gives me the feeling of wearing a mask. With the costume I tend to come out of my shell. The same goes for Patty; we try to kind of conceive our outfits together.

CA: What has music done for you?

PD: What hasn’t music done for me?! I’ve wanting to cry, scream with joy and drive off a cliff! It really does everything; mostly positive, but you also go through the hard times with it and sometimes it’s because of those hard times… but I mean, all that aside, why do I keep doing it?

It really keeps me together, and gives me an outlet to get over the drama that life can be; the mess and the craziness. I can go sit down and mess around, create from nothing. That makes me feel an ecstasy that I have otherwise never found. The other thing is a connection; I can potentially change someones day or life through something that I did via a song or show. For me, that’s what it’s about; connecting. Especially at live shows, having an audience support you is the best.

My Oma (Grandma) always told me to do it. She saw how much I loved it, and said “throw all the other shit aside, because you are going to die, so you should follow your dream.” She said that all before she heard me perform any music, just at the earlier stages and she sadly never got to hear or see any of the music I’ve released but it drives me forward even more and I do it for her.

Sounds like your Oma was fucking RAD Peter, and I know she’s looking down on you proud as hell.

http://https://youtu.be/A3iQVKsvhz0

STREAM DAVENPORT ON SPOTIFY

peter, interviewed by cassidy

IN TIME

IN TIME

my piston cocked your dreamy eyes the sun that’s setting low a winter’s eve along the tides a beach of blanket snow we waltz on ice your careful hands caress my every fear this heart on fire will fight to stand for all your fallen